Once upon a time in the bustling city of New York, the political scene was more of a comedy show than a serious debate. The drama featuring former President Trump was supposed to be the headline, but the real entertainment was happening with comments from a certain former actor, whom we’ll call “Little Robert.” Newsflash: when actors try to play politicians in real life without a script, hilarity often ensues.

Little Robert, known for his illustrious career involving lots of gangster roles, had recently voiced his frustrations at The New Republic’s Stop Trump Summit. Scheduled to attend in person, he instead had his speech read by former Trump administration official Miles Taylor after testing positive for Covid-19. Unfortunately for him, the audience was more amused by the unexpected hijinks surrounding political events than his thoughtful critiques. It reminded everyone of the importance of staying in one’s lane. Instead of delivering a captivating performance, Little Robert’s statements were misinterpreted and led to some head-scratching responses.

Perhaps Little Robert thought his star power would resonate in political theaters. Instead, he received mixed reactions. Meanwhile, the audience saw what appeared to be an impromptu comedy skit rather than an incisive critique of Trump. It’s always curious to see someone famous for playing make-believe struggle to stay on script in the real world.

The star’s provocative remarks about Trump described him as ‘evil,’ while indirectly referencing Stephen Miller, a Jewish political adviser. The comments revolved around the juxtaposition of Nazi-like policies and equated opinions that should be carefully veiled, suggesting that those supporting such policies, including Miller, should be ashamed. This inevitably led people to question the critique’s merit and validity.

Meanwhile, crafty politicians of the left remained busy crafting their next moves, including efforts perceived by some as targeting law enforcement officers. As for Trump’s controversial discourse—which was meant to be the main attraction—it got overshadowed by our protagonist’s ability to turn political dialogue into something rather theatrical. By deconstructing the events, we are left to enjoy the odd blend of politics and entertainment.